Monday, November 30, 2009

My Top 10 Fav Songs- November 2009

I know; I have been horrible with my blogging. I’m so sorry. I have been busy with Bible School (which is sooo much work I’m learning). That being said, here’s my list for November:

1. Relient K- Scene and Herd
I love Relient K! Who doesn’t? I have to have them on my play list. Their song titles are funny but there’s always a message in the bottle. Got to love Relient K!

2. Plumb- Hang On
I fell in love with this group when I first heard the dance version to “Cut”. They have a new album “Beautiful History” out (it is so going on my Christmas List) and I’m extra excited over it. The song is amazing. It tells you that in the midst of it all; hang on and don’t let go. We need to learn how to hang on in the hard times of our lives. We seem to forget sometimes Who we serve and that He can deliver us.

3. Phil Wickham- Coming Alive
He’s a newbie on my play list, even though I have heard a few songs. I like the song; especially the chorus. It says: “now, we’re coming alive/ yeah we’re coming alive/open your hearts, take what’s inside and let go.” That line alone is awesome. I plan to keep my eye on this artist.

4. Terra, Terra, Terra- Paradigm
New band alert! So there’s this band….and they’re called Terra, Terra, Terra…and there are awesome! I am sooo looking forward to hearing more of their music and learning more about them.

5. Rush of Fools- Can’t Get Away
I was trying to track down a particular song and I ended up with this song. It says no matter what we do or how hard we try; we can’t get away. But who would want to? I know I wouldn’t want to get away from Him.

6. Dream Pilots- Comedown
New Band Alert! They come from Norway and I have to say, they sound like they are here to stay. Their song “Comedown” is catchy and was on replay for the better half of my day. Lol. I look forward to hearing more from them.

7. Brooke Fraser- Seeds
I Love Brooke! Lol, really I do. This song poses the question what do we leave for the next generation. It really makes you think. It’s an awesome song; really it is.

8. Bethany Dillon- Reach Out
Where do I begin with Mrs. Bethany? Like Brooke, she is one of my favorite acoustic rock artists. The song “Reach Out” tells the story of the woman with the issue of blood in the New Testament. If we just reach out and come out of our comfort zone we will be able to reach our healing.

9. Coko- He Made A Way
I’m not really into R&B, but this song is so good! The song is a catchy tune that reminds you of a very important thing: “He made a way/He always makes a way.” I love this song.

10. Shekinah Glory Ministry- Bow Down And Worship Him
This is the song for the Children’s church Christmas dance. They girls come in after Jesus was born and they dance before Him. I love this song. It has been one of the easiest and hardest songs I had to choreograph. The title speaks for itself: bow down and worship Him. That’s what we were created to do; and it’s the most humbling experience to be before the Lord of Hosts knowing you are not worthy to be in His presence yet He wants to commune with you. Who are we that He thinks of us? We are so

I hope you guys are touched and blessed by my selection. May you continue the good fight and ENDURE until the end. Be blessed.

Sunday, November 29, 2009

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Dispensation of Grace

This is a topic that has been coming up lately and I wanted to just talk about it. The age we live in is an “Age of Grace”. Do you know what Grace means? It means the exercise of love, kindness, mercy, favor; disposition to benefit or serve another; favor bestowed or privilege conferred. When I Google Grace, Bible verses pop up everywhere. My favorite verse about Grace is Ephesians 2:8 (KJV) - “For by grace are ye saved through faith; and that not of yourselves: it is the gift of God.” We are saved by Grace, by God’s exercise of love, kindness, and mercy. We don’t deserve to be saved, and we need to understand that. We don’t deserve the blessings that God bestows on us day after day. He does it because He loves us unconditionally. Think about it, doesn’t that humble you? It humbles me; to think that I could be hushed and gone in the midst of my sin with no access to my Heavenly Father; it scares me. I am the point where I’m learning that just because we have God’s grace I shouldn’t take advantage of it. It's like a credit card that has a 100 Million dollar spending limit; it's not my money so I should spend it all, I would just use it when I need it. I don’t want to mess up because I know God will forgive me later or just keep repenting for the same thing. Just as Paul wrote to the Romans in Romans 6: 1-2 (Amplified Bible) “WHAT SHALL we say [to all this]? Are we to remain in sin in order that God's grace (favor and mercy) may multiply and overflow? Certainly not! How can we who died to sin live in it any longer?” Let us not take advantage or under estimate the God that we serve. He is a God of mercy, yes, but He is also a God of judgment. Even though we are in an age of Grace, let us learn to use it to move to higher heights and deeper depths in Christ not stay in one place. Be blessed.

Bal Thackeray's Grandson Rahul Justifies Mother Smita Thackeray's Interest in Congress

Rahul Thackeray, grandson of Shiv Sena supremo Bal Thackeray, has justified his mother Smita Thackeray's interest in switching sides from the party to join the Congress party.

Smita Thackeray has reportedly expressed willingness to join the Congress party, and she had also showered praises on party President Sonia Gandhi and General Secretary Rahul Gandhi. "She also has expressed certain views towards joining politics. Her views have been basically mentioned within the Sena. She does not receive a proper response from the Sena, so she has kept herself open to other options," Rahul Thackeray said.

Rahul also said that her mother has all the respect for the Shiv Sena supremo.

Meanwhile, the state unit of Congress has welcomed Smita's interest in joining Congress, but said that the party is yet to receive any formal request from her side.

"She has to take an initiation. A request should come from her side stating her interest to join Congress. If we receive any application from her, we would definitely think over it," said Manikrao Thackeray, President of the Congress committee in Maharashtra.

Smita, estranged wife of Jaydev Thackeray, was a power centre in the Shiv Sena over a decade ago and was known to be one of the closest associates of the Shiv Sena chief. (ANI).

Saturday, November 28, 2009

gratified

I want everybody to know how incredibly thankful I am for how great my night was last night. The garden looked beautiful (as did the borrowed rose bushes), the drinks continuously flowed, everyone looked hot, and my presents were rad. Put it this way, I can now afford to buy wayfarers to replace my old ones AND clubmasters - and have a lot of money left over. woo! Said money will obv be kept in my brand new gorgeous miu miu studded wallet (which I received along with marc jacobs stud earrings that I am wearing now).

Obv, it was a good night. However I was very very drunk and want to publicly apologise if I did anything embarrassing/horrible. I do not remember much. I do get flashes of vomming in the toilet. Hmm. A decidedly unclassy way to end the night that was spent in a garden glittering with fairylights, with beautiful bunches of peonies and lisianthus bouquets everywhere. Oh well. My life is a mass of paradoxes.

Chiranjeev (Jeeva), Yesteryear Villain Ranjeet's Son, Spotted at an Event

Chiranjeev (Jeeva), yesteryear villain Ranjeet's son, was spotted at an event with his dad. Is he B-Town bound, too? Time will tell.


Ranjeet is married to Alokaa aka Naazneen and the couple has two Children, Divyanka, his elder daughter, is a prize-winning fashion designer and son Chiranjeev is a keen Formula One race driver. 'He's still young but in the next two years he will certainly be in films. I have a script in mind for him,' Ranjeet informs.

Nana Patekar Intends To Direct Son Malhar in His Second Directorial Venture

Nana Patekar intends that his second directorial venture should be based on autism. Nana had earlier directed Prahaar in 1991.

The film, which will mark the debut of Nana’s son Malhar as an actor, will be produced by Prakash Jha, who had reportedly broken off all professional ties with Nana because of the actor’s hotheadedness. A source claims that Nana is in talks with Reliance Big Pictures to be the presenter of his film.

A source said, “Nana wants a prefect and ambitious launch for his son. The film will go on the floors in February next year and is about the relationship between a father and his autistic son. The film also stars Nana, Om Puri, Atul Kulkarni and Naseeruddin Shah. They are looking for a new female face opposite Malhar.”

While Prakash Jha confirmed the news about producing the film, the spokesperson of Reliance Big Pictures said, “These are speculations and we do not wish to comment.”

Nana remained unavailable for comment.

Source - Mumbai Mirror

Sonakshi Sinha's Debut film 'Dabang' Starring Salman Khan and Arbaaz Khan Launched

Salman Khan, Sonakshi Sinha and Arbaaz Khan at a bash to launch their film Dabang.

Sonakshi Sinha

Salman Khan

Arbaaz Khan

Katrina Kaif, Arpita Khan and Sohail Khan, who were were also at the event held at a Juhu nighstpot, made an early exit. Dabang has Arbaaz as producer with Salman and Sonakshi in the cast.

Thursday, November 26, 2009

party dress

In a dream world, this would be my party dress tomorrow night. I kind of became fixated on it after I saw pics of this print on the runway, and I cannot tell you how much I love it on Leighton. I love that she wore it. And while I would never do it justice, I still want it. I think it's the colours. I do not usually wear colour but I feel this would be a good way to introduce it to my wardrobe, other than in accessory form.

why haven't I been drunk since my birthday?

Ok so it turns out in 2 days my family can be quite productive. House has been cleaned, yard has been cleaned, pergola is almost completed but entirely acceptable, fairylights have not only been purchased but hung in the yard, decorations are prepped and ready to be simply placed on tables etc, flowers ordered (lisianthus, hydrangeas, peonies in case you were wondering), marquis assembled, outfit ready, punch bowl + cake stands sourced, projector delivered and working, etc ETC. And let me tell you, there was a lot of 'etc'. But it's pretty much done. Dreadful anxiety replaced by excited nerves. Yay. Oh! I even found a fab vintage floral glass tray. It is awesome.

However, pretty much no-one has r.s.v.p.-d to my beautiful invitations. I wish old-school courtesy still existed. Why am I whining about all this in my blog? None of this is really a 'want'. I guess I just sort of want it to happen and be done with it. It is stressful organising a party. I don't know why - surely the people who love me will not be judging the flower arrangements tomorrow night (though obv, I totally would in the same situation and it would be entirely expected of me I'm sure).

Seriously though, I can't wait to see everybody tomorrow. My party playlists are ready to go MJ + ABBA each get their own allocated party hours.

I also really really really want everyone to enjoy themselves and either a) remember the night filled with fond blissful experiences or b) forget everything that happened in a drunken stupor.

Wish me luck!

P.S. I want to be uber rich one day so that the fantasy parties I plan in my head can out-fabulous P. Diddy's. Life would just be better and easier if I had unlimited resources.

Wednesday, November 25, 2009

Theatre: The Original Social Media




Teenagers are not dumb.

The movie adaptation of Interview with the Vampire came out in theaters in late 1994, plopping it right into my senior year of high school, and bringing Friend Davey and I to Springfield Mall one fine day to see it. Malls, at the time, were one of the few social milieu available to us in our particular environment -- not that we ever talked to anyone there, but that was more us than the environment, I think. At any rate, Springfield was well-waned in popularity at the time, making room for the cleaner, generally fancier Fairfax Mall, so it was strange that as we were leaving the movie I thought I saw someone I knew. Thought, that is, only for a moment. Where at one moment I thought I had seen a familiar pair of eyes and a flash of radiant hair, there was nothing when I checked back. Well, that wasn't so odd. I had just spent a couple of hours in the company of some rather charismatic vampires, after all.

These kids today, with their so-called vampires, glimmering and psychic and whatnot . . .
I have zero insight into what social conditions exist for the teenagers of today. They have ten thousand methods of communicating, but who knows how well that works, unless you're one of those who is newly double-digited in age? What I do know is that it's in our teenage years that it grows imperative that we become social creatures, and that a lot of our energy is spent solely on figuring that out. Not all that long ago, a teenager wouldn't be allowed out to a movie without a guardian or chaperon of some kind, terrified as we were of the assignations that might occur. Apart from serving as a rather absolute method of birth control, I can't see that there'd be much point to such restrictions anymore -- they'll only go and render 3D avatars of themselves on 2nd Life and get on with getting to know one another as well as any teenagers could ever hope to.

"Social networking media" has changed a lot of things about our methods of communicating, though it remains to be seen if the content and intention of that communication has changed dramatically. Truth be told, it is in many ways returning us to older forms. Facebook, for example, seems like a kind of oddly tiered public forum until one considers that for years upon years the borders of social circles were similarly enforced, only by money and class instead of who you know (as though the concepts were so extricable). MySpace felt like a sort of coliseum of kill-or-be-killed customization and lecherous advertising by comparison, and Twitter is . . . uh . . . man, I still don't know what Twitter is supposed to be. It feels a bit to me like the one-liner exchanges detectives on a stake-out have, or hunters gathered around a fire, except every single person everywhere is there.

They are all public forums, and there's a mistake in supposing this is something new. An easy mistake, really, because for a long time we've all been pretty focused on privacy. There's nothing wrong with that, obviously. I like my privacy too, but all things in moderation. Time was, being entertained was a social occasion. (I'm about to blow your mind.) A theatre was the place that one would do all this stuff we're now excited to do through computers. Performers and audience alike would have all kinds of dialogue, assignations and accidental encounters. They'd chat, they'd collaborate; I'm sure some of them even occasionally tweeted. That was part of the point -- not to hollow out our private space and be polite to those around us and avoid physical contact, but to engage. We all want to engage. That's what theatre is for.

Now, I'm not going to turn this car around if you all don't start using theatre for what it's for (but give your brother back his shoe, or I will). However, I like the world much more when we're all more engaged. Going to the movies to be alone is ridiculous, in other words, and one cannot live by Netflix alone. By God, yes, please: 'blog & tweet & Xbox & make that avatar dance. It's great stuff. But also, every so often, do something to see and be seen in the flesh, because when we just seek to entertain ourselves in isolation we are little more than soulless bloodsuckers, feeding from our own veins.

I should end it there, and the girl I glimpsed outside of the movie way back in 1994 might remain a figment of our collective imaginations.

On Sunday night that girl and I did some very out-of-character things. First among these was that we were out on a Sunday night; second was that we were seeing a movie; and third was that we were seeing a hopelessly, shamelessly (and I do emphasize here the utter lack of shame) popular movie on its opening weekend. These things are bad enough anywhere, but particularly redolent with practical difficulty in New York City, so I bought tickets in advance and cased the joint to find out where the inevitable line might form, and we spared just enough time to get a little oxygen out of our bloodstreams before joining said line well in advance of the opening of the doors. It was kind of nice, actually. Everyone knew why they were there, and some of us seemed more embarrassed by it than others, but no one could judge; not really. As happens with this sort of meme, this zeitgeist, casual conversations formed amongst strangers. Is this the line for tickets, or a seat? Did they say when the doors would open? I got here just in time, I guess. Look: No one's under 25 here, and there are guys! Lots of guys!

Oh, they try hard to give us plenty of material with which to accuse, but it's true: Teenagers, they are not dumb.

Monday, November 23, 2009

Monkey Hot Hug

I really, really, really want a Monkey Hot Hug



Why, only just yesterday I was lamenting the lack of hugs in my life when today I saw this. All my dreams coming true? Possibly. Seriously though, if you see me in the near future - gimme a hug. Or a Hot Hugs Monkey. Only these two options are acceptable.

Also, I want this week to be over. I have been looking forward to my birthday party for like, a year, and now it's rolling around and all I feel is anxious. Things that need to be done in 3 days that have not been done include:

- finalising the delivery and setting up of the marquis.
- ditto the projector.
- seeing if my slideshow will even work on said projector.
- the buying of aesthetically appealing lollies.
- figuring out a way to play music (should I drop a couple hundred on a iPod dock/speakers, or simply use the stereo we have whose sound is apparently 'not great' when it is loud)
- cleaning and disposing of 90% of things in the backyard
- decorating the backyard
- buying decorations for the yard. Including: fairylights, possibly lanterns, pretty tablecloths, flowers, vases, candle holders etc. At the moment, I have one of these things.
- borrow cake stands off people. Organise cakes.
- make playlists for the night

Amongst so much more. My head is going to explode. I want a party planner. I want unlimited resources. Epic sigh. And to top it all off, I lost my Ray Ban sunnies on Saturday after watching New Moon (for the third time). That was after lending somebody else some of my other sunglasses. Karma is a fail. Now I have to replace my wayfarers before I purchase the clubmasters that I really wanted.

sigh sigh sigh.

Thursday, November 19, 2009

The Horror, The Horror...


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Sunday last I participated in a staged reading of Friend Nat's latest playscript: Pierce, or, A Ghost of the Union. The story is a ghost one, surrounding the presidency of Franklin Pierce. Nat excels at creating these unlikely mash-ups of supernatural tropes and (supposedly) more lofty and academic material; he's a smart guy who loves Japanese horror films and the work of Stephen King, and his previous plays have included Any Day Now (kitchen-sink drama and zombies) and The Reckoning of Kit & Little Boots (classical tragedy and time-bending magical [sur]reality). So as unlikely as the combination may seem, it really rather works in the hands of someone who can encompass all the contributing factors, such as Nat.

It reminds me of Friend Geoff, who is lightly obsessed with the hope that a stage play can be genuinely terrifying, and not just existentially, but immediately as well. I've seen two shows that scared me rather well: one was The Pillowman, the other a smaller-scale production but awfully well done from Friend Avi's group, Creative Mechanics: Fall of the House of Usher. Pillowman served up a series of shocks, in effect, that cumulatively broke my sense of trust in the narrative, whereas Usher was all-around creepy, seeping into me throughout by way of some incredibly weird and committed performances. Pierce is fascinating to me because it seems to adhere so directly to the rhythm of a horror movie, the way such movies often function like roller-coasters, undulating and setting you up over and over again for bigger and bigger drops. This is a far more delicate feat in the theatre than on the screen, though. It takes pitch-perfect balance. It's almost like comedy in its daring: Nowhere to hide or obfuscate your intentions -- you are there, and everyone knows this, to make people laugh. Or in this case, shudder with fear.

Theatre used to do this, you know. Theatre used to do it all, even with equivalents to the glorious orangey fireballs and computer-rendered creatures. It did it all, because it had to. It was all we had, and then just as now we liked being scared, made sad, laughing, and all the good junk in between. Somewhere up the line there started to come these other vicarious, verisimilitudinous experiences, and somewhere not too far beyond that theatre started to place a priority on distinguishing itself. By and large, I think this was good for theatre; I love exploration and a pursuit of specificity, and one of my favorite admonishments I received in college was to, damn it, find what theatre can do that no other medium can. That has served me well, and I'm still making discoveries in that vein. However, it irks me somewhat when specificity leans its way into limitation, and anyway movies do not have exclusive domain over anything having to do with entertainment, with the possible exception of having made and spent astronomical figures on it.

So: Fear. It makes for some pretty powerful catharsis. That's what all the scary movies are about, after all -- inciting some kind of visceral, emotional response from us that we somehow find comfort in (or at least afterward). As with any play or movie, the catharsis needs a good story on which to hang its hat, even if it's a very simple one (such as, mildly troubled family stays in hotel, gets stranded and violently disintegrates) and Pierce achieves that with a variety of contextual details such as slavery and impending secession, government and politics, and the strange evolution of the idea of "the media." Perhaps most satisfying, absolutely every character is changed by the events that unfold. In that sense, horror could be called a curious combination of comedy and tragedy (perhaps the eleven-fingered love child). It progresses with a comic rhythm of set-ups and deliveries, yet results in a tragic change, a horrible finality.

Then again, my favorite horror movies have that coda in which it is implied that the horror, the undeniable lack of control, is inescapable and cyclical and bound to repeat itself. Human behavior, at its most horrible. Now who wouldn't cast politicians in such a story?

Wednesday, November 18, 2009

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The ACTion COLLECTIVE: ACT II - A Tale of Two Screens


On Monday Andrew Elliott and I hosted the second ACTion Collective event and, despite some initial concerns about the responses we received to the invitations, it turned out to be even more rewarding and fun than the first event. It looks like we can learn after all!

We had about a dozen in attendance, which means we would have had more than for our first, had not a few unfortunate last-minute cancellations come our way (wash your hands and sneeze into your elbows, kids). Of that group, nearly half were new attendees, either folks we'd invited before who couldn't make ACT I, or "second generation" ACTors, who were invited by folks who were in attendance for ACT I. (We like the word "ACT.") This time around, the scenes were much shorter, and pulled from draft film and television scripts. We changed the names and such to help camouflage the sources somewhat, gave everyone about twenty minutes to rehearse, then presented them. We also had a gimmick for deciding who went next, granting whomever could guess a given movie quote the power to choose the next group to perform. This worked remarkably well in a number of ways, but perhaps the best result was that we had time to do two rounds' worth -- and fortunately, Andrew and I had prepared enough scripts for this.

ACT II really acquired the feeling of a party as the evening progressed; the good kind, the kind where you not only know almost everyone, but you're also really glad to have a chance to reconnect with them. We served drinks and small food again, and there were groups of two or three who knew one another to begin with, but the atmosphere didn't really develop until everyone had watched and done a little work. Then there developed a sense of gamesmanship, and play, and the simple enthusiasm for exploration that comes of exploring together. It was great. By the end we were gently ribbing one another over our respective abilities (or lack thereof) for celebrity imitation, and laughing aloud at impromptu pratfalls. Oh yeah: And I got to see some seriously cool acting.

It really was a tremendous time and, in addition to that stand-alone reason to feel encouraged to continue, it resulted in a lot of specific clarifications in what The ACTion Collective's ever-evolving mission statement and function should be. There was definitely a spirit created by the room that I found myself wanting more of, a sense of play that encouraged more work and more risk-taking. This is a very important aspect of creating good work, yet it is an oft neglected one as well when it comes to the rehearsal process. It's definitely a component of our ambition with this project, to provide fellow actors with more of what they need. It may seem odd to non-actors that we sometimes need to be reminded of how much fun what we do can be, but I think this is true of almost any work. And acting, in addition to being play, is most definitely work.

Now Andrew and I are feverishly collaborating to come up with a best-of-both-worlds event for December, and I am excited by the prospects. It's a somewhat dodgy time, what with being between holidays and during prime party season, so attendance may be a problem. No work is ever wasted, however. Especially when you're having a good time doing it.

Monday, November 16, 2009

Just Do What He Says and Don’t Go Beyond That

From Joyce Meyer’s Daily Devotional:


We're in a Hurry, but God's Not

November 16
To everything there is a season, and a time for every matter or purpose under heaven.— Ecclesiastes 3:1 We never learn patience without something to be patient about. Patience is something that has to be worked in us — it doesn't just appear. The fruit of patience is in our spirits, because as children of God, the Holy Spirit is resident within us. But for patience to be expressed through our souls (our mind, will, and emotions), a work must be done in us. Once the prescribed time of waiting for the birth of each of my children had passed, I tried everything imaginable to bring on labor. I walked, took castor oil, worked harder than usual, hoping it would help "speed things up." With one of them, I even went into the hospital so the doctor would induce labor. It didn't work; I was sent home. The doctor basically said, "Go home and let nature take its course."
My advice to you from the Word of God and from my experience in life is, "Don't be in such a big hurry." You may be full of dreams for your life, but you may also be trying to achieve your dreams out of season. We can make huge messes in our lives, and sometimes get upset with God because things didn't work out the way we thought the Lord said they would. Things will happen as God said if we wait on His timing. We are the ones in a hurry. God is not in a hurry! Stay busy delighting yourself in the Lord, and let Him give you what He wants you to have. If God has placed the desire in you, you can be assured that He will bring it to birth in the right season. Wait on God for direction and instruction on how to proceed, do what He tells you or shows you, but don't go beyond that.

Wow. I actually have nothing to say. I went to Joyce Meyer’s Daily Devotional page and was hit with this revelation. I can’t add to it or break it down any further. Wait on God, everything in its season, etc. She is an awesome vessel of God. Be blessed.

Sunday, November 15, 2009

My Very Own Doppelganger!

What is a doppelganger you ask? A doppelganger is a double or a look alike. That brings me to today. Today I saw a young lady dressed very similar to me. That happens right? Yeah, but it has come to the point when the situation is funny but not quite. The young lady wears her hair short like I do and I find that we have too much in common to the point where I don’t want to hang out with her because it wouldn’t be interesting. No offense. I like people who are unique; weird even. When you remind me of myself and it’s not a coincidence; we have a serious, serious problem. I won’t say where I see her, since I don’t want to hurt someone or make them uncomfortable but I don’t like when people can’t be themselves. If you keep following people and trends all your life you are letting other people and situations dictate yourself. I will say this quote again: “BE YOURSELF, EVERYONE ELSE IS TAKEN.” SMH. Be blessed.

Saturday, November 14, 2009

I Need You, I Need You, I Need You.....

That Jars of Clay song popped into my head today. I find myself constantly fighting the same situation and coming up with the same conclusion: It’s not my battle, but God’s battle. The sooner I realize that the sooner I can be blessed and unstressed. Being 25 isn’t easy; actually it’s harder than being 24. I only say this because I decided I will leave certain things in the past and keeping it there is a lot easier than just saying it. But to God be the glory. I can do all things through Christ who gives me strength (I paraphrased that a little bit, lol). Be blessed.

Friday, November 13, 2009

Not Somebody; Someone....

I blame my mom for the reason I can’t use the words: somebody, nobody, and anybody. My mother told me when I was younger when you use those words, you are referring to a lifeless body…..let’s just say it stuck with me. So when I kept hearing the song “Use Somebody” by the Kings of Leon, I keep correcting the song. The sad thing is I have been doing it A LOT. I have heard so many songs where I find myself correcting the lyrics; especially secular songs. I guess it’s because I know God and I have a relationship with Him that when I hear these songs that contradict the word of God I find myself correcting it. LOL, I never thought I’ll see the day. Sorry for all that banter. It was just something I have been thinking about.

LeT’s ‘Rahul’ is Mahesh Bhatt’s Son

LeT’s ‘Rahul’ is Mahesh Bhatt’s son

Rahul Bhatt had befriended alleged Lashkar operative David Headley at a gym, but cops say he probably had no idea of the man’s real identity

The mysterious name, Rahul, mentioned extensively in LeT operative David Coleman Headley’s e-mails to handlers in Pakistan has finally been identified. It’s neither Shah Rukh Khan nor Rahul Gandhi, but the son of famous filmmaker Mahesh Bhatt.

And nor is Rahul Bhatt, 25, a fitness instructor and a body builder, on the LeT hit list; he is in fact a friend of Headley who was arrested by the Federal Bureau of Investigation in Chicago last month.

However, investigating agencies, who have already questioned Rahul, have almost given him a clean chit, saying that he appears to be innocent.

An officer privy to the investigations said, “He has admitted to being friends with Headley. But, in all probability, he didn’t know Headley’s actual background and took him to be a foreign national in India on a job. That was exactly the guise Headley had been living under in India between 2006 and 2009.”

It has also come to light that it was Rahul who helped Headley rent a flat near Breach Candy hospital.

The two met at a gym where Rahul who at one point weighed 122 kilos, had come to lose weight and get fit.

Rahul Bhatt

Rahul Bhatt at that time was supposed to be launched in a film, Suicide Bomber, under his family banner Vishesh Films, based on the London bombings which was eventually scrapped.

Headley, a US citizen of Pakistani origin who had been arrested by US’s Federal Bureau of Investigations (FBI) on October 18 with a Canadian citizen of Pakistani origin Tahawwur Rana, at Chicago’s O’Hare International Airport, had told FBI interrogators that Rahul was a prominent Indian actor. Headley had been arrested on the information that he was planning terror attacks in Denmark and India.

The two men became friends and when Headley expressed that he was looking to rent a flat, Rahul even helped him get one near Breach Candy through a property broker. All this while, say investigators, Rahul was not aware that Headley had LeT links.

During his stay in Mumbai, Headley was ostensibly functioning as a consultant for an immigration firm in Tardeo. That was, possibly, the only identity that Rahul knew of Headley. Earlier, there were theories among intelligence agencies that Rahul could be a code word either for Shah Rukh Khan, who has played several character by that name, or even a place that could have been a terror target.

When contacted, Rahul’s father Mahesh Bhatt neither confirmed nor denied that his son had been questioned by the police in connection with the Headley case. He simply said, “This is an issue of national security and not something trivial related to Bollywood. Ask agencies that deal with national security. I will not say anything more.”

All efforts to reach Rahul failed as his phone was switched off. Text messages sent to him did not elicit any reply till the time of going to press.

Investigators also suspect that Headley may be holding dual passports of US and Pakistan (as Pakistan allows it) and thus escaped the scrutiny of immigration officials as he may have travelled to Pakistan using his Pak passport while to India using his US passport.

The rahul emails

In a few e-mail conversations with an LeT operative, Headley has mentioned Rahul several times. The FBI affidavit notes: In an e-mail on July 2009, Headley told Lashkar-e-Taiba Member A that “I think when we get a chance we should revisit our last location again and say hi to Rahul.”

A reply from LeT Member A on the same day read: “To see Rahul is a good idea coz have some work for you over there too. Matters are good enough to move forward...”

On July 9, Headley writes again: “When you say ‘move forward’, do you mean in the north direction or towards Rahul...” To this Member A replies: “Towards Rahul.”

On July 10, Headley writes another mail to Member A: “The visit to Rahul’s place, is it for checking real estate property like before, or something different and if so please tell what you can please. Also is it in Rahul’s city or different one?” To this Member A replied: “There are some investment plans with me, not exactly at Rahul’s city but near that. Rest we can decide when meet according to your ease.”

Investigations handed over to NIA

Meanwhile, the union government has asked the National Investigation Agency to probe Headley’s activities during his stay in India.

The NIA has registered a formal complaint, charging Headley and his accomplice Tahawwur Rana for plotting terror attacks in India. Sources said, the complaint does not mention any suspicion of Headley’s involvement in 26/11 attacks.

An NIA team is expected to shortly arrive in Mumbai to start investigations. The Crime Branch will assist the team after it arrives here.

Notably, the Ministry of Home Affairs team that had visited the US to interrogate Headley was not allowed to do so by the FBI.

The agency argued that it was technically not possible as no offence against Headley had been registered in India. However investigators have come across a list of 24 places in India of which arrested LeT suspects David Headley and Tahawwur Hussain Rana may have done recee, which also includes targets in three cities of the state, namely Mumbai, Pune and Nagpur.

During the seven visits the two made to India from 2006 to 2008, the two are suspected to have done recee of these targets, but the investigating agencies in the US have not come across any video of the India targets during the search of Headley’s possessions after his arrest.

According to sources, apart from Indian Military Academy in Dehradun, the two are suspected to have visited Siddhivinayak and Mahalaxmi temple in Mumbai, the Bombay Stock Exchange, the Southern Command headquarters in Pune and also perhaps the RSS headquarters in Nagpur.

Rana is a bigger catch

Sources said Tahawwur Hussain Rana was a bigger catch than David Headley since Headley was merely executing what ever directions Rana gave. Headley was shown as an employee of First World Immigration Services, a company used as a front by Rana to hop across the world.

Posing as owner of the company, Rana had visited several countries including India and Denmark on the directions of the LeT bosses, while Headley’s expenses for travel and living, which Rana used to bear, were legitmised by showing Headley as an employee of the firm, sources added.

According to information available with central intelligence agencies, even the e-mail accounts of Headley were operated at times by Rana. During one of his visits to Denmark, Headley had placed an advertisement for his immigration company in a Danish newspaper.

The FBI has found that when represenatives of the newspaper replied to Headley on e-mail, the IP address of the computer from which the response was given was traced to Rana.

How they made e-mail IDs

Rana used to guide Headley on creating e-mail Ids. In an e-mail to Headley, Rana once wrote, “One of my brothers is Brigadier Movadat Hussain Rana and the other is Sibte Hasan Rana Monie. They are in Rawalpindi.

I really admire e-mails making it instant ‘half mulaqat’ specially Yahoo as it seems superior to Hotmail.” Subsequently Headley started using email with the ID mov.monie@yahoo.com, drawn from first names of Rana’s brothers.

In another mail, Rana had directed Headley to use e-mail ID Liyaqatwing11@gmail.com and told Headley that in subsequent e-mails, he should keep liyaqatwing and change the digit by multiplying it by two and substracting two out of it. Headley then used liyaqatwing20@gmail.com