Wednesday, January 27, 2010

The Wheel of (a week's) Time...

You know what's hard? Pantomiming the driving of a vehicle in an effective manner. I would go so far as to say that simply pantomiming steering a vehicle in an effective manner is tough. Accomplishing this feat whilst acting, focusing on the emotions and intentions yet making it all seem instinctive, effortless? For that, my friends, we have a special acting term: SUCKY. ("Very sucky...!") I should know. It's one of those things -- right up there with the Marx Bros. mirror bit -- that I am routinely asked to perform with little-to-no regard for how insanely difficult it is. It is an idea that is simple, so (ergo, ipso facto, obiter dictum) them what aren't actually obligated to then execute said idea tend to assume that said execution is relatively simple as well. Well I say: Horse Hockey.

So. Josh Sohn's Flowers (see 1/25/10) is set predominantly within a taxi cab, and one that spends most of the play in motion. As ours was a production limited in both time and money, I opted to forgo the rear-projection, Dewey-decimal-encrypted sound cues, and even the flown car chassis. No, instead I made my priority four chairs, a couple of sound cues and one specific bit of vehicular-motion-implying choreography. Oh, and a free-standing steering wheel. That's a little specialized, thought I, but heck: I've seen one somewhere before, and it must be a pretty common necessity for plays now-a-days; I'm sure some theatre person or other will know a company with one I can borrow or rent...

Alas, no.

In my ten days of searching, I had only one lead, and that ended up being a dead end due to the theatre having recently cleaned out their storage. In addition to that, finding just a steering wheel, with no mounting or any other assemblage, was also proving harder than I had thought. Garages in and around NYC have precious little space for keeping such a rarely necessary spare part, and the wheels that are around (but are unattached, so to speak) are often gutted semi-circles of plastic where buttons and airbags used to be. There's little auto-salvage of worth that isn't miles out into the boroughs, and I had no time. So. On a Thursday night before our final rehearsal, I ventured out to Brooklyn to GET IN THE ZONE of all three of their AutoZones (endorsement gleefully submitted).

There was much prelude of calling the stores and getting - um - somewhat uninformed "assistance" (No no no: I said "steering wheel," not "steering wheel cover." No, the actual wheel, itself. No, not a tire, for mrgrph's rarghnlsik...) but suffice it to say there were not one but TWO steering wheels for sale at my first visit to an Atlantic Avenue AutoZone. I opted for the $30, somewhat dragster-looking one, rather than the more classic $100 kit with "mahogany" (read: red plastic) grip. Call me crazy:
From there it was a question of making a stand for the thing. Now, I am a very organized person who likes to plan everything in advance and is rarely forced to improvise. (The preceding sentence is a total fabrication.) However, I had little-to-no time in which to construct a somewhat reliable stand that would not only hold the wheel up, but allow it to turn. I considered all sorts of possibilities on the subway from Brooklyn to Upper East Side -- I'm still wondering if I could find a door handle mount that might allow for turn resistance and a proper stop point -- but by the time I made it to Home Depot, I was pretty well settled on "simple" plumbing hardware.

The longish bits (technical term).
The joinish stuffs. (Very technical jargon, don't be embarrassed about totally not knowing it.)

The bits you see above are the final result in terms of ingredients, but initially I didn't know with what sorts of things I had to work; it was a little bit like seeing Legos for the first time, and trying to attach them diagonally to one another or make a one-bump lock that allowed a piece to turn around a bit. (No one with me on this? Just me? All righty then....) I was pleasantly surprised, however, to discover that before flexible plumbing solutions developed, plenty of folks struggled with questions of angles and changes in pipe width. Of particular excitement were the varied lengths of "nipple" above (and, on the barcode, no joke: "five-inch black nipple") and the hex-nut-looking thingamajig, which converts 3/8 inch threaded pipe to 1/2 inch. But the pièce de résistance was the 45 degree joint. I doubt the good people of Home Depot have ever seen that kind of unbounded expression of enthusiasm in the plumbing aisle (they're probably still trying to clean up that aisle).

Now there followed about 24 hours' worth of trail-and-error. In a perfect world I would have had access to some kind of very heavy, fold-able music-stand base. (Actually, in a perfect world I would have been able to find a flippin' free-standing steering wheel in someone's prop closet.) Things being as they were, I came up with the below to solve the problems of a secure base that pitched things at the proper angle. Initially all three legs had the rubber stopper you see below on the stabilizing leg, but it didn't clear out the wobble caused by the lower T-joint making contact with the floor, so I had to get a couple of 90 degree joints for the other two feet.

Don't worry, honey; I bleached the table after all this photographic genius.

It's a great base in terms of setting the angle of the rest; it's only okay for stability. A sandbag or the like would make it rock-solid, and frankly, this is pretty good for NYC purposes in that it's awfully portable. It was less so initially, when I had a single three-foot length of pipe for the main shaft. But, as a bonus, I felt COMPLETELY BAD-ASS walking down the street with that. Anyway.

Twice. I bleached it twice. Cross my heart.
The actual mechanism of a turn-able wheel, while not terribly complex, was interesting to figure out. The hex-shaped conversion piece was a great find because it allowed me with the help of a few washers to create a rather more stable bed for the wheel. Without those pieces, the wheel would have wobbled on the millimeters of space between its central hole and the axle (tiny nipple!).


Once it was all sandwiched together, I started getting excited. The 45-degree joint seemed like my best bet in the store, but I couldn't very well construct the whole thing there, so there was no way for me to know how it would present. Damn my boring geometry teacher! I pretty much had to give it up at that point and just see how we did. I couldn't do any better, at least not for this go-around.


Dude:

What? WHAT?! Oh yeah - that was me, I did that. Me. Recognize.

It so worked. I mean, it's not going to trounce Avatar for scenic design anytime soon, but look at the angle of that wheel. Just look at it. It's a thing of beauty, borne of truth. That is undeniably a prop that will turn any set of two-to-six chairs into a motor vehicle, is what that is. I plan to be renting it out, never you fear, and at the exceedingly reasonable rate of $100/hr., with only a $5,000 security deposit. Sure, the wheel looks like it belongs on a stock car. Sure, the frame sooner inspires thoughts of Supper Mario Bros. than it does aerodynamic internal combustion machines. And yes, the wheel continues to turn ad infinitum, turning anyone who drove such a vehicle into some strange singularity of time and space.

But for ten minutes worth of a show, an actor who otherwise might didn't have to mime a steering wheel.

tennis anxiety: BE GONE!

Oh wow. I have to go to bed right now. Aside from the fact that I have work at 7am and I am opening up, I simply cannot sit through the Tsonga/Djokovic Australian Open quarter final. I am about to give myself a stomach ulcer.

As if dealing with Federer's match tonight wasn't bad enough (I am going to have a bruised lip tomorrow from biting down so hard and my breathing has yet to return to a normal rhythm) I began watching the Tsonga/Djokovic match. Apparently this too has been too much for me to deal with.

You see, I kind of like Djokovic. He is funny, talented, suitably in awe of Federer (once stating that if he, Djokovic, had been born in another era he could have been one of the great tennis players) and I like the youtube video where he impersonates all the tennis champs.

So I want Djokovic to win.
But I want Tsonga to win because I think he is less of a threat against Federer.
But I will feel so bad if Djokovic loses because I like him just a bit more. Oh. Em. Gee.

I'm going to bed now. Won't be able to sleep. Will be a zombie for work + first honours thesis meeting tomorrow. Argh.

P.S. OH BY THE WAY, THANKS CHANNEL 7 FOR NOT SHOWING ME TWO WHOLE SETS OF THE MATCH WHERE FEDS KICKED ASS.

Monday, January 25, 2010

The Role of Director


See what I did there?

Well, it is done. Josh Sohn's Flowers -- a ten-minute comedy about a cab ride, estrangement and obligation -- premiered and closed this weekend past. I should mention that it was all of those things, plus a production I directed, and in a breathtakingly limited amount of time at that. Six rehearsals, for a total of 9.5 hours' rehearsal time. That's just shy of an hour of time per page, and that's supposed to be all the time one absolutely needs, assuming everyone gets off book in their own time, and I'm here to tell you that this standard is horse hockey. High-sticking horse hockey. But a good time was had by all, I think, and it was nice to return to directing with such a definitive deadline and good friends with whom to work.

Josh of course is someone with whom I am in collaboration more and more, but the actors were folks I have known for years and worked with on separate but similarly intensive projects: Nat Cassidy and Richard Grunn. In both cases, I worked with these actors as a fellow actor, so we were all pretty adjusted to my quirks and peccadilloes, I'd say. I hope. You know, it's actually hard to say, because being the director is a somewhat lonely experience. Of course, everyone involved was perfectly friendly and engaging, and I think I was more than encouraging toward nurturing an atmosphere in which we could play and say anything. It's just a different environment for the director. If the director isn't a bit outside, he or she can't really do the job. The whole, brief thing got me thinking about that work in some more specific ways than I have in the past. I mean, part of why I wanted to do it was to dip my toes in the waters of directing again, see how hospitable they felt and whether or not I'd want to go for a swim there again. (My metaphor needs arm floaties, it's getting so distended.)

It seems to me that I used to ask an awful lot of my directors, and I wonder if this is still the case. I never had any of them complain (to my face) along these lines, but in thinking back I've realized I was really looking for a kind of artistic affinity at best, and a sort of grandiose mentorat worst. I suppose it's natural for any actor to seek approval from his or her director, but there are limits and I'm not sure that when I was younger I placed enough priority on exploring my own standards when it came to fulfilling a role. It also seems to me that directing is really not all that different from teaching; or perhaps tutoring may be a closer comparison. That is, if your teaching philosophy is similar to mine, in which it's all about communication and being as prepared to learn from the student as to instruct him or her. If there is a major difference, I believe it's that the director has to apply personal prejudice to the process, simply in the interest of functioning as some kind of leader. Some may disagree, but I think directors should be leaders, in the sense that they should take all of the blame and little of the credit, and give everyone something unified to aim for.

This was not a high-pressure project-- apart from the amount of notice I had upon taking it on -- and I had what turned out to be very realistic expectations for both the process and the venue. Which is to say, the venue met with my expectations, but the actors I was working with exceeded them. (And my contribution? Not sure yet. Need time to process. [But I totally exceeded when it came to a prop we needed, which will have a 'blog post ALL ITS OWN.]) Ten minutes is not a lot of time in which to establish a memorable character and make it both believable and entertaining, but Nat and Rich accomplished all this while scoring laughs and poignant moments. These guys have some very interesting similarities and differences as artists, which played well into their relationship on stage, I thought. [Spoiler alert: that of an estranged father and son.] They're both excellent with comic timing and self-generated work, which I find lends itself to good strong characterization, but Rich has very different rhythms and a more subconscious style, whereas Nat's approach seems more cognizant and edgy. They did great, and allowed me to relax into the process.

Despite all these reasons for calm, I fretted, like a dual-necked guitar. It's just part of the (read: my) process. I had two primary concerns: getting us together on the same page about the story of the action, and not squelching or (perhaps worse) misinterpreting their contributions. Compromise may seem like a simple watchword given both of these concerns, and it is certainly a necessary skill for a director, but there's also a degree of resolve involved. In other words, that somewhat un-exercised muscle of mine in acting, the one for fighting for your interpretation or point of view, had to be a little warmed up by the experience. The actors never, ever fought me on anything; nevertheless, I was in unfamiliar territory in having an obligation to lead. I think I did okay, for my first real appreciation of this task. Directors get perhaps less immediate feedback -- as compared to actors who have a feeling about the job they're doing throughout the performance -- but I feel pretty good about it.

Horse hockey and all.

Thursday, January 21, 2010

I'm Going Through Changes.....


It's a new year and I must admit that I'm so excited to see what is going to happen. It's a clean slate, a new beginning, another chance to start anew. I am looking forward to all that God has for me and what He will do for me. I just can't wait! Service is later, so let me get to bed. Be blessed.





source: likecool.com

Wednesday, January 20, 2010

shock and sympathy

Today I discovered that Kate McGarrigle passed away this weekend. I am utterly saddened by this news, and just wanted to say that my heart is aching for Rufus and Martha and co. A few years ago (actually, it was 2005; it's quite terrifying to realise this happened five years ago), I watched Rufus, Martha and Kate perform together for an evening. Even my mum, who is not a huge fan of Rufus, conceded that the night was pretty magical. It was an honour to watch such a musically blessed family perform together.

I'm sure people of the folk world, plus many many more, are reeling from this loss. R.I.P. Kate McGarrigle. My condolences to the family.

Monday, January 18, 2010

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Sunday, January 17, 2010

the many comforts of home

When I was away (for a whole week!) there were many creature comforts of home I was pining for. What I really, desperately, urgently wanted was:

- my own bed. I LOOOOVE my bed. I haven't slept in a single bed in foreverz and I almost fell off more than once. The air conditioning on holidays was a pretty good bonus though. However I am a mental almost-insomniac and apparently I can't sleep in the car/in any place slightly unfamiliar/with another person in the room. Last night I had the best night's sleep in my own bed EVER.

- the internet at my fingertips. Not checking DListed last week was torture. On more than one occasion I frantically yelled at my mum "BUT WHAT IF A CELEBRITY DIED? WHAT IF A CELEBRITY BABY WAS BORN????" and the second one actually happened - congrats to Mark Wahlberg and Rhea Durham. Not to mention the fact that I totally missed most of the Conan/Leno debacle.

- our puppy, Coco. Apparently she annoyed our neighbours with incessant howling. Awe. Lucky we have fab friends who fed her, walked her, and kept her company with their dog also.

- Final Purple Sneakers EVER. So pissed I missed this. Tell me it was awful, or I'll be totes depressed.

- New Gossip Girl eps.

- Foxtel in general.

And then there are surprising things I didn't even KNOW I wanted that have made me supremely happy:

- People I recognise on the news.

- Our shower. The one at the hotel was too freakin small.

- Watching 'How I Met Your Mother' for hours on end with nothing else to do. Which I can't even continue doing today because I have WORK. Oh wells, money.

P.S. I fucking hate women's tennis. It's boring and they are all too loud. STFU with the grunting!

Subhash Ghai to Launch Jackie Shroff's Son Tiger in a Remake of Hero

Almost three decades after he launched Jackie Shroff with Hero, Subhash Ghai readies to launch his son Tiger in a remake of the 1980s hit.


Jackie Shroff’s son Tiger is getting ready to make his big Bollywood debut, and who better than showman Subhash Ghai- who launched his father with Hero (1983) - to do that? There is word that Mukta Arts is feverishly working to remake the Jackie Shroff-Meenakshi Seshadri blockbuster with Tiger (Shroff) stepping into his father’s role.

“It’s a bit early to talk about this, but yes, one of my scriptwriters is definitely writing the remake of Hero. Let’s see how the script develops,” Ghai said.
However, the filmmaker will only produce the film and not direct it. He says, “The film will have a young director and a young team. Woh ‘80s ki picture thi, ye 2010 ki hai. Moreover, I am busy with many ideas and stories which I want to develop.”

Explaining his reason for choosing to launch Tiger’s career, Ghai remarked, “Tiger is hero material and I can sense it. Bachpan se janta hoon usko.” Has Jackie given his consent to the project? “Of course. Jackie is family to me,” Ghai said, puzzled by the question.

Tiger’s mother Ayesha recalls a very touching moment between Ghai and her son. “When Tiger was born, Subhashji placed a gold coin in his hand and said, yeh iska pehla signing amount hai.”

It’s finally coming true.

ABOUT HERO
(Inset: poster of Hero)
Jackie Shroff played the villain Amrish Puri’s henchman who kidnaps Shammi Kapoor’s daughter Meenakshi Sheshadri, though she is misled to believe they are keeping her in safe custody on her father’s instructions. They fall in love. When she realises that he is a criminal, she is hurt but convinces him to surrender and reform himself. The film had melodious music (Main Tera Jaanu Hoon, Pyar Karne Wali Kabhi Darte Nahin, Ding Dong O Baby Sing A Song, Nindiya Se Jaagi Bahar) with both Jackie and Meenakshi becoming instant heartthrobs after the release of the film.

Saturday, January 16, 2010

You Inspire Me....


I love France! The culture, the language, the style! (My friends and I are going to Paris next year!) I was looking up new haircuts and I feel in love with a cut called the "Gamine cut". Audrey Hepburn had one; and as I google and come across more images (especially french celebs) I'm convinced its time for a cut! Audrey Tatou makes me want to cut my hair myself! I'm in a stage where I need to change. I'm boring myself; and that's not a good look.


Anyway, I wen to see The Young Victoria with my friend Beatriz and I have to say I absolutely loved it! Victoria and Albert's love story was so beautiful! I also love Emily Blunt and Rupert Friend (swoon worthy; Mr. Wickham in Pride & Prejudice US version) so maybe I'm a swayed easily. Anyway, it made me think of modern day romance, or the lack thereof really; and how we're so comfortable with it. I am sorry, I love the sonnets, the letters, etc. I'm not saying be cheesy to the point I will vomit (lol), I'm just saying can we put romance back into romance?

Friday, January 15, 2010

You awaken in a semi-dark room...

Thinking...

Oh god...wha...wha....

You think in un-words, it seems.

Wha...whoo...where am I? What happened?

Gradually you realize that the only light, barely illuminating your prostrate form, is the flickering glow of a very tired computer monitor. The computer's exhausted cooling fan whirs dejectedly, intermittently, at you. You realize you're surrounded by ripped paper all over the floor, a cup of eggnog in one hand, a trashy novel in the other, and a pair of tinted glasses on your face that proudly proclaim (backwards, from your perspective) "0102"...

I should have known better than to expect myself to diligently 'blog through the holy daze of late December, early (er...read: "most of") January. Happy 2010, everyone! Or, as Wife Megan insists on proclaiming it: "Oh-10!" Exclamation point being obligatory, natch'.

Item!: My return to directing begins this weekend, with Josh Sohn's ten-minute play Flowers premiering as a part of Where Eagles Dare's short play lab. In the show you'll see Friends Nat Cassidy and Richard Grunn doing what they do best (but also acting). Find out where it's at, in every sense, at this magical button text place sentence.

Item!: Very exciting things brew with The Action Collective this year with the theme, "It's All About You." We are forgoing our monthly event for January to focus instead on structural work for the organization and publishing our first-ever newsletter for our members. People will be published! And sort of syndicated!

Item!: The foolish folks at NYU's film school have invited me back to be a part of their filmic enterprises for what will be a marathon day on February the 2nd.

Item!: I'm producing a variety show to take place as a part of the Electric Theatre Company's "second stage" program, Out On a Limb. It will be entitled The Spectacular Scrantonian Spectacular! (exclamation point being obligatory, natch') and feature song and dance and, above all else, variety. Not only will I be producing this cavalcade of talent, but I'll also be MC. Well, me and my clown character (...cue the My Buddy theme...and go...).


Sorry. That was way creepier than I had remembered. Effin' creepy.

Anyway. 'Tis a busy time, not only creatively (YAY!) but also practically (BOO!), and I miss blogging. Hence this not-a-post. Wait, maybe I can squeeze some meaningful insight into my final few remaining words -

Effin' creepy.

Aw, crap.

Thursday, January 14, 2010

A Look at Sushmita Sen's Second Baby Daughter Alicia

Pictures of Alicia With Mom Sushmita Sen

Sushmita Sen who had adopted a three-month-old baby girl last December, finished legal formalities for her second baby, Alicia Sen, fulfilling her long cherished desire of adopting another girl child. She told reporters that 'From this moment on Alicia is officially Alicia Sen and she is my daughter.' Ten years ago, she had defied the odds when she adopted Renee.

The Bombay High Court on Wednesday, Jan 13, allowed her the custody of Alicia/Alisah, a 5-month-old baby. The girl was with Sush since December but has now officially become her daughter due to requirement of court’s permission. Now a mother again, Sush is extremely happy to bring a new member to her family. “It’s is a big day for me. Today Alicia is officially mine,” she is quoted as saying.

Sush adopted her first girl child Renee as per Hindu Adoption and Maintenance Act in the year 2000. But the act forbids her to adopt a second child of the same gender. Sush always wanted to adopt another girl child after Renee, but because of the law, she couldn’t. To her relief, a law passed last year allowed a person to adopt a second child of the same sex under the Juvenile Justice Act.

Born on August 28, 2009, the baby was surrendered few days later by her unmarried mother to Child Welfare Committee. Alisha, who’s been with Sen since December, was earlier just her ward. However, the legal adoption process has been completed now and the almost six-month-old is now officially Sen’s daughter.

When asked how Renee feels about her younger sister, Sushmita reveals that her oldest daughter takes on her role as the big sister rather seriously. She volunteers to change her sister’s diapers and even attempts to give her baby sister a bath.Sushmita also reveals that despite being happy and content with her life, she still looks forward to getting married someday. Her daughters will definitely be the bridesmaids at her wedding.

Monday, January 11, 2010

Happy New Year!!!!!

I know, I know. I absolutely suck! I have been so busy the past couple of months with prepping for our Christmas program, Bible School, etc. etc. etc. Lol. I am so excited for this year; I mean really excited. My best friends (Stace and Lizzy) are engaged! (Stace and Mike git enagaged Jan. 7, 2010 and Lizzy and Robert Thanksgiving). This translates to more bridesmaids dresses I will attend and more wedding showers, blah, blah, blah, blah. Lol. This year is new; the decade is new; it’s a chance for a clean slate for so many people. I can say my life will never be the same. I have a new blog up on onsugar.com http://musingsofaquarterlife.onsugar.com This is for my fashion musings since this blog has become for more of my God based musings, lol. Not that there is anything at all wrong with that! I will continually blog here; but if you want to read my random blogging on hotties, fashion, Jane Austen (lol) etc, you know where to go now. But seriously, I pray that you this year will be a year that we all move to higher heights and deeper depths in Christ. May everyone be blessed.

Saturday, January 9, 2010



He left his home at the little suburb
To the city Light, to the harsh

Peoples built their ,middle finger forward his face
He said don't care, it's for his grace
People screamed forward his face
He said don't care, it's just nightmare
Peoples stared forward his face
He said don't care, he's not aware

Befriended with some ice
which he knows so well and nice
Little alley, for sanctuary
Stenchy, but stately

He was grining, when he was giggling
He was stabing, when he was huging
He was loosing, when he was grabing
He's a rock star..until his spar

Miss the moment, and we just missing the moment
We shared the ccigarettes, and threw some rags
seek for cheeer, i a bottle of beer
Anti-social, not artificial

And he came home, at the little suburb
From the city light, from the harsh
He's a rock star..until his spar
Throw away, his only scar

12 june 07

Friday, January 8, 2010

I'am Newbie, I'am Freshman.




Mohon bimbingannya..

Waktu kecil saya bener2 kecil, saya mungil, rambut hitam lurus sepanjang pinggang, g banyak ngomong diluaran, tp kritis, suka membaca dan mengoleksi pita. Saya suka sekali cerita tentang bagaimana hari saya di sekolah, waktu main sama teman-teman, ikut kelas olah raga, main-main dengan embun di di pohon pinus sekolah, keurainya rambut saya karena ikatan rambut ditarik anak laki-laki, tentang luka-luka baru di lutut, sampe ilangnya penghapus bentuk dan aroma seperti eskrim yang baru kemaren di beliin Bunda karena diambil sama temen yg semena-mena, ke Bunda. Anehnya saya selalu ngelantur setiap cerita, ketika saya seru di tengah cerita..

"Iya Bunda,,tadi apusan Ayu hilang..terus gataunya "mobil biru" gitu sama temen Ayu", atau.. " Bunda, ini salah..seharusnya buku "kentang goreng" yang dibawa"
kalimat "mobil biru", dan "kentang goreng" itu bukan sengaja saya ucapkan, tapi lantaran saya melihat ada mobil biru yang lewat didepan saya, dan ketika g sengaja saya liat kalender bergambar kentang goreng dari A&W . Entah kenapa waktu kecil saya sering kali mengucapkan apa yang saya lihat dan menarik perhatian saya di tengah percakapan panjang lebar anak bocah yang suka bicara yang g ada hubungannya sama sekali dengan topik cerita, keanehan saya rupanya sering ngebuat bingung orang dewasa.

Lalu Bunda membelikan saya sebuah diari, mungkin beranggapan bahwa apa yang saya pikirkan akan saya tuangkan ke buku itu, mungkin juga berpikir kalo isi kepala saya kelewat kompleks, tapi sumpah saya yakin pasti diarinya dibaca-baca deh! ,tapi ternyata saya bosan dan malah menggambar-gambar di diari itu, atau bikin2 puisi gajelas, mungkin sedikit2 nyebut2 cinta monyet saya jaman SD yg namanya Derry, si Derry cakep, kaya artis sinetron cilik, sayangnya saya bukan tipe anak yang banyak ngomong diluar rumah, jadi saya bisa aja tahan ga nulis surat cinta waktu itu saking girang setengah mati kepangan rambut saya ditarik2 si Derry, oiya..sahabat saya dari TK Myra Faris juga naksir berat sama si Derry, jadi ya gitu deh..saya lebih sayang Myra daripada Derry.

Kalo ditannya kemana diari2 saya itu, jangan ditanya. Semua kenangan selama 20 tahun saya hangus dan musnah bersama rumah yang saya tinggalin waktu kejadian kebakaran di komplek rumah 3 tahun lalu, foto2 waktu kecilpun cuma kumpulan dari saudara2 yang masih nyimpen, saya mau deh nuker Olympus E 500, Canon Eos 40D saya sama kenangan itu..hahaha..dasar dangkal neh otak!. Saya anak yatim, papa kesayangan saya meningal pada 8 Juli 2008, sungguh sayang saya sama beliau, g ada yang bisa gantiin beliau di hati saya dan keluarga.

Lalu alasan saya menulis blog? melanjutkan harapan Bunda yang berharap saya bisa jadi diri sendiri, jujur dgn diri sendiri, dan ngomong g ngelantur lagi =D

perfect holiday plz

Soooo early Monday morning (2am eugh) my family and I will be embarking on our drive to Broadbeach, Queensland (why yes, this blog is a perfect tool to stalking me). It is indeed going to be a family holiday and while this concept would send many 21-year-olds into a horrified frenzy of panic (okay, namely me) I generally quite like going away with my family.

My brother is a unique tool in getting what I want because he likes to please me; is younger than me; and generally gets whatever he wants and wants whatever I want. So this works for me.

My dad pays for stuff. He also feels incredibly generous while on holiday (some kind of chemical reaction occurs whenever we are away and he just spends more than usual. awesome. saves me so much cash).

My mum is hilaaaarious. There comes a time in anyone's life when a sudden realisation occurs - your parents are not that bad. It is especially true in my mum's case - I finally noticed why everybody else seems to love her. She. Is. Awesome. She is funny, and fun, and genuinely likes to have a good time. Love! Note: She is also the perfect coffee buddy. Seriously.

And now, here is what I want from this holiday because I don't know when I will be able to have another one:

rad weather please:


a golden, even tan like this:


beach hair!


And above all, for my choice of books not to let me down. For the funnies, I am bringing:


For the serious, in case my mood takes a downturn:


And for the mindless, awesome trash:


Wish me luck! x